Is two Jews, three opinions a good thing? In this episode, Laurie Frankel discusses the very Jewish capacity of holding space for many different ideas and views, and how this capacity might be exactly what we need in this moment. We’ll also discuss the power and devastation of Cythnia Ozick’s short story “The Shawl,” its contribution to the conversation around trauma, and how a difficult-to-believe premise followed by realism (like that in Naomi Alderman’s The Power) is one of Laurie’s favorite structures for fiction.

In recognition of Jewish Heritage Month, this episode features a conversation with Nicholas Lemann, whose work and life story open up questions about both American and Jewish identity. Nicholas discusses his assimilated Louisianan/German-Jewish upbringing and his lifelong quest for connection with Judaism. What does it mean to be both Jewish and have ancestors who benefitted from slavery? We’ll also discuss what Tolstoy’s Russia has in common with the New Orleans of Nicholas’ childhood, and his appreciation for reading the Torah in all its moral complexity.

In this conversation, Fran Fabriczki discusses coming of age between Hungary and Los Angeles and her experiences with cultural richness and antisemitism between the two countries. We also discuss “homelooseness” in The Nearest Thing to Life by James Wood, and JD Salinger’s relationship with Jewishness through his short story “Down at the Dinghy.”

In this conversation, Adeena Sussman discusses how reading an (age-inappropriate) short story by Isaac Bashevis Singer one Shabbat afternoon changed the way she thought about writing and storytelling. We’ll also hear about her deep attachment to Tel Aviv’s Carmel Market, and how discovering Claudia Roden’s writing about Middle Eastern food expanded her sense of Jewish food.

In this episode, Alicia Jo Rabins traces the “red hot glow” of the moments that shaped her, both spiritual and artistic, and how they led her to a life rooted in music, text, and ritual. She’ll tell us how a chavruta (study partnership) with an Orthodox student while at Barnard College paved the way for her to transform her academic study into song in Girls in Trouble.  As she details the pendulum swings in her religious and spiritual practices, we discuss the ways in which small moments – watching orthodox women wait for the electric doors to open on Shabbat, watching Titanic – have helped her to build a life and tradition wholly her own.

In this conversation, Matti Friedman reflects on the power of foundation stories to shape how we understand ourselves and where we come from – from Noah’s Ark, to the origins of the Bible, to Hannah Senesh and the other parachutists who landed in Nazi Europe during World War II. We also talk about what happens when we look more closely at these myths and encounter the flawed, human figures behind them - and why that often deepens, rather than diminishes, our admiration for their courage.  Along the way, we also discuss Matti’s particular perspective as a Western-born journalist living in Israel, Michel Houellebecq’s Submission, and the gift of reading poetry in uncertain times.

In this episode, Zeeva Bukai discusses her two novels, The Anatomy of Exile and The World Between, both published in the past year and woven with threads of her family history. She traces a legacy of dislocation: her grandmother’s reunion with her husband after years in a Siberian work camp, her father’s escape from Syria at age 13 with his younger brothers, and her own life between Israel and the U.S. Zeeva also reflects on her deep connection to Nicole Krauss’ Great House and the “architecture” of memory, and shares a striking moment teaching Franz Kafka’s Metamorphosis to a class of Orthodox high school students.

Rob Kutner is an Emmy, Peabody, Grammy, and TCA-winning writer for late-night TV including The Daily Show and TBS’ Conan. He is the author of the humor books including Apocalypse How (Running Press, 2008) and the kids’ comedy-horror graphic novel Snot Goblins and Other Tasteless Tales (First Second, 2023). He has written material for the Oscars, Emmys, and two White  House Correspondents Dinners, and was named a “SuperJew” by Time Out New York. He is also the host of the new Mama’s Boys: a podcast on what it means to be a Jewish man today.

Allegra Goodman tells us how This Is Not About Us grew like a family tree from her New Yorker short story “Apple Cake,” as she continued writing about the Rubinstein family for over a decade. We discuss how her perspective - and the world - has changed since she wrote The Family Markowitz in her 20s, and how Keats’ concept of negative capability has shaped her writing. We also hear about a book that she found very dull until a bad cold taught her patience.

In this conversation, Jason Diamond unpacks what it means to be an American, Jewish, or Jewish-American author. We also discuss family secrets, Jewish gangsters, the humor and alienation of Franz Kafka, and how Art Spiegelman’s Maus taught Jason to accept his family’s silences.

In this episode, Sasha reflects on her childhood in Russia and Ukraine, including the moment she discovered her family was Jewish at a Purim celebration. Cut off from much of the Soviet Jewish experience under communism, Sasha also shares what she is reading to bridge the gap and learn more about the hidden narratives of Soviet Jews. We discuss what Yaa Gyasi’s Homegoing taught her about slavery’s impact on American history and life today, what it means to contribute a “missing puzzle piece” to WWII literature, and how witnessing the present Russia-Ukraine conflict emboldened her to tell her grandfather’s story.

In this episode, we’ll hear Samantha reflect on her journey to preserve her Iraqi-Jewish heritage even as the language is disappearing from use. She shares how the hand work of cooking traditional recipes became a tangible way to pass culture to her son, how Saidiya Hartman’s Lose Your Mother helped her process family histories, and how stories of imprisonment and fear in Iraq shaped her childhood imagination. 

In this episode, celebrated children’s book author, poet and memoirist Judith Viorst brings her irrepressible wit, humor, and insight to every age and stage of life. We talk about growing up, raising children, and living well - including the story of how her family gave up Christmas. She reflects on her lifelong love of “messy” characters, from Max in Sendak’s Where the Wild Things Are to her own Lulu.  Her wisdom is especially meaningful as we take stock of the year and set our intentions for the year ahead.